Everytime I go to Tagaytay, I usually pass by this museum and never really fancied it until I had the chance to visit it in a very serene Saturday afternoon.
It is a temple devoted and built for art, for an artist and his followers to marvel at the creation of a simple yet ingenious set of hands.
The Museo Orlina sits at the side of the picturesque Taal Lake and lures visitors to see Glass Sculptures that solicits feelings of grace, simplicity and awe on how such material can be used in creating beautiful (an understatement) pieces of art.
Maestro Ramon Orlina the Artist/Sculptor shared his afternoon with us bringing into light how he managed his craft and the inspiration behind it.
If ever your soles lead you to Tagaytay, don't miss this place! It will literally greet you the moment you go up there! I recommend this to all young, old, students, professionals and urban wanderers!
It is a temple devoted and built for art, for an artist and his followers to marvel at the creation of a simple yet ingenious set of hands.
The Museo Orlina sits at the side of the picturesque Taal Lake and lures visitors to see Glass Sculptures that solicits feelings of grace, simplicity and awe on how such material can be used in creating beautiful (an understatement) pieces of art.
Maestro Ramon Orlina the Artist/Sculptor shared his afternoon with us bringing into light how he managed his craft and the inspiration behind it.
If ever your soles lead you to Tagaytay, don't miss this place! It will literally greet you the moment you go up there! I recommend this to all young, old, students, professionals and urban wanderers!
The exhibit will open on December 1, 2015.
A scale model of the Quatromondial a work commissioned by the University of Santo Tomas during its Quadricentennial Celebrations in 2011. Orlina finished Architecture at the UST. |
The Museum's amphitheater is filled with works by National Artist Arturo Luz, Ramon Orlina and other Filipino Greats! |
Orlina shows how the glass sculpted and even the process of making glass art. |
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